PEER-REVIEWED PUBLICATIONS & CONFERENCE PRESENTATIONS
– Zioga, P. and Weir, C. M. (2023) ‘This Place Has Its Own Air’: A Proof of Concept for Urban Air Quality Data Visceralisation. In: DCAC 2023 5th International Conference on Digital Culture & AudioVisual Challenges. Corfu, Greece & Online, May 12-13 2023.
– Wetzel, V., and Zioga, P. (2022) Paintings Alive: An Interactive Film for Young Museum Visitors. Interactive Film and Media Journal, 2(4): 95-105. doi: 10.32920/ifmj.v2i4.1669.
– Wetzel, V., and Zioga, P. (2022) Paintings Alive: Interactive Films and Video Installations for Young Museum Visitors. Interactive Film and Media Journal, 2(2). doi: 10.32920/ifmj.v2i2.1572.
– Zioga, P. and Vélez-Serna, M.A. (2022) ‘Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas’. In: Tsitsou, L., Rana, H. and Wessels, B. (Eds.) (2022) The Formation of Film Audiences: Conference Proceedings. University of Sheffield: The Digital Humanities Institute.
– Clarke, A., and Zioga, P. (2022) Scriptwriting for Interactive Crime Films: the Case of Scapegoat. Interactive Film And Media Conference 2021: New Narratives, Racialization, Global Crises, And Social Engagement, Online. Interactive Film and Media Journal, 2(1): 106-121. doi: 10.32920/ifmj.v2i1.1524.
– Clarke, A., and Zioga, P. (2021) ‘Scriptwriting for Interactive Crime Films: the Case of Scapegoat’. In: Interactive Film And Media Conference 2021: New Narratives, Racialization, Global Crises, And Social Engagement. Online, 5-7 August 2021.
– Zioga, P. and Vélez-Serna, M.A. (2021) Interaction Design for Audiences: A Proposition for Building Resilience and Recovery for COVID-safe Independent Cinemas. In: Audiences beyond the multiplex: understanding the value of a diverse film culture. Online, 2-3 March 2021.
– Bennett, M. and Zioga, P. (2020) Interactive Film History: The Challenge of Classification. In: MeCCSA Brighton 2020 ‘Media Interactions and Environments’ Conference. Brighton, UK, 8-10 January 2020.
– Zioga, P. (2019) From Neurocinematics to Live Brain-Computer Cinema: Audience Research, Co-Authorship and Film Form. In: ECREA Film Studies Section conference ‘Research Methods in Film Studies: Challenges and Opportunities’. Ghent, Belgium, 18-19 October 2019.
– Zioga, P. (2018) Live Brain-Computer Cinema Performance. Leonardo. 51(5): 531. doi: 10.1162/leon_a_01671
– Zioga, P., Pollick, F., Ma, M., Chapman, P. and Stefanov, K. (2018) “Enheduanna—A Manifesto of Falling” Live Brain-Computer Cinema Performance: Performer and Audience Participation, Cognition and Emotional Engagement Using Multi-Brain BCI Interaction. Front. Neurosci. 12:191. doi: 10.3389/fnins.2018.00191
– Zioga, P., Chapman, P., Ma, M. and Pollick, F. (2016) Enheduanna – A Manifesto of Falling: first demonstration of a Live Brain-Computer Cinema Performance with multi-brain BCI interaction for one performer and two audience members. Digital Creativity. 28 (2): 103-122. ISSN 1462-6268. doi: 10.1080/14626268.2016.1260593
– Zioga, P., Chapman, P., Ma, M. and Pollick, F. (2015) A Hypothesis of Brain-to-Brain Coupling in Interactive New Media Art and Games Using Brain-Computer Interfaces. In: Göbel, S., Ma, M., Baalsrud Hauge, J., Oliveira, M.F., Wiemeyer, J., Wendel, V. (Eds.) (2015) Serious Games First Joint International Conference, JCSG 2015, Huddersfield, UK, June 3-4, 2015, Proceedings. Lecture Notes in Computer Science series, LNCS 9090. Springer-Verlag Berlin Heidelberg, Germany: 103-113. doi: 10.1007/978-3-319-19126-3_9
– Zioga, P., Chapman, P., Ma, M. and Pollick, F. (2014) A Wireless Future: performance art, interaction and the brain-computer interfaces. In: Sa A., Carvalhais M., McLean A. (Eds.) (2015) Proceedings of ICLI 2014 – INTER-FACE: International Conference on Live Interfaces, 19-23 November 2014, Lisbon, Portugal. Porto University, CECL & CESEM (NOVA University), MITPL (University of Sussex): 220-230. ISBN: 978-989-746-060-9.
– Ntampiza, K. and Zioga, P. (2014) The Interconnected Object: Are You at Home in a Network?. In: Proceedings of 1st International Academic Conference Places and Technologies 2014, 3-4 April 2014, Belgrade, Serbia: 936-943. ISBN 978-86-7924-114-6.
BOOKS
– Fragoulopoulou, Z. and Zioga, P. (2012) Polina Zioga – The Shelter. Pavlidis Creative Publications, Athens 2012. ISBN: 978-618-80091-0-3.
CREATIVE OUTPUTS
– Zioga, P. and Weir, C. M. (2023) This Place Has Its Own Air. [Data-driven video-installation, dimensions variable, colour, audio mute].
– Paintings Alive: Interactive Films and Video Installations for Young Museum Visitors (2022) Created by Polina Zioga and Victoria Wetzel [Video Essay]. UK: Interactive Filmmaking Lab.
– Scriptwriting for Interactive Crime Films: The Case of Scapegoat (2021) Created by Polina Zioga and Ashton Clarke [Video Essay]. UK: Interactive Filmmaking Lab.
– Paintings Alive (2020) Directed by Victoria Wetzel [Interactive Film]. UK: Victoria Wetzel.
– Scapegoat (2019) Directed by Sophie Hiscock [Interactive Film]. UK: Sophie Hiscock.
– Zioga, P. and Katsinavaki, A. (2015) ‘Enheduanna – A Manifesto of Falling’ Live Brain-Computer Cinema Performance. Polina Zioga. dir. CCA: Centre for Contemporary Arts, Glasgow, UK. First Performance: 29 July 2015.
PRESS ARTICLES & INTERVIEWS
– Zioga, P. (2019) Culture Crossover: Interactive Filmmaking Lab adds immersion to movies. Interview with Polina Zioga. Interviewed by T. Macaulay for TechWorld, 27 September.
– Zioga, P. and Schwartz, D. (2018) Will mind-controlled films change cinema? Chips with Everything podcast. Interviewed by Jordan Erica Webber and produced by Danielle Stephens for The Guardian, 27 July.
– Zioga, P. (2018) New research shows how brain-computer interaction is changing cinema. The Conversation.
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